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Introduction
While
digging up the small museums of Pennsylvania, I often found
myself saying, "What is a small museum?" "Where
is it?" Why is it . . .?"
"Small
museum." The Metropolitan in miniature? What exactly
does a small museum encompass? These words mean different
things to different people, but in my travels I have come
to believe that pretty much anyone can slap up a "Museum"
sign on a building (and even, sometimes, get along with
no sign at all) and some unsuspecting traveler will wander
in off the road.
But that doesn't make it a museum.
"Museum" conjures up an image of a large building.
The Carnegie in Pittsburgh, the Franklin Institute in Philadelphia,
the State Museum in Harrisburg. These places are well advertised
and heavily visited. But who has heard of—or seen—the
Wharton Esherick Museum in Valley Forge? Bill's Old Bike
Barn in Bloomsburg? The Toy Robot Museum in Adamstown? We
also have a Wild West museum, a number of music museums,
even a museum dedicated to the shoe. Pennsylvania is full
of these little wonders.
Large museums are often created with corporate money or
substantial private endowments, have curators, executive
boards, and swanky fundraisers. Buildings may be designed
with a particular genre in mind. Small museums are not always
planned—they happen, maybe in the corner of someone's
house, or a storefront, or an old building no longer serving
a useful purpose. If they have a "board," it often
means a husband and wife are in it together. "Fundraising"
can mean an admission charge or merely a jar by the door
labeled "Donations."
Large
museums house "important" items, great works of
art, some famous person's belongings. Little museums contain
someone's heart and soul. Most often they start out as a
collection that just got out of hand. A couple in Hanover
had (until not long ago) an ice cream museum. They still
own the materials but for some reason wanted to reclaim
their house. Sorry I missed it.
Other
small museums are attached to companies—a room or
two or an entire building—to commemorate an industrial
history. The Marx Toy Museum in Erie was put together by
former employees to showcase their dedication to the Marx
Toy Company. I had the pleasure of visiting it, and fully
intended to include it here, but later found it had closed
up shop. Too bad.
Large
museums take life and art very seriously, in hushed surroundings,
with dim lighting and a closely monitored thermostat. But
how seriously can one take a collection of carnival glass
and spittoons that fills one small room in Breezewood with
lit glass cases of multicolored wonder? Given a choice,
I'll take spittoons over fruit-bowl still lifes any day,
but that's the kind of hairpin I am.
Some small museums do feature a more serious side of life.
The final stop on a tour of the Afro-American Museum in
Reading is the closet trap door beneath which runaway slaves
hid from their pursuers. A tour of any coal mine in the
state will bring mention of a cave-in, how many miners died,
what "black lung" is. Museums can feature a life,
either a person's-like the George Westinghouse or the Wharton
Esherick-or a company's-such as Piper Aviation or the Yuengling
Brewery.
How
did I come to choose these forty-two places out of the hundreds
of small museums in Pennsylvania? I tried to find the unusual
and the unknown, those places with little or no budget for
advertising, yet worth a stop. I tried my best to represent
the entire state. Small museums are best found through word
of mouth (how we found the Toy Robot Museum) or stopping
on a whim at the sight of a rotating, pasty-white weightlifter,
destined to hoist his barbell forever in front of the Bob
Hoffman Weightlifting Museum and Hall of Fame.
Locating
the museum itself sometimes was an adventure. I often drove
around a while, sometimes even clutching a brief set of
directions. When a friend and I looked for one museum in
a small central Pennsylvania town, it didn't seem to be
at the address we had. We stopped a man on the side of the
road to ask for directions, but he said he hadn't heard
of it. He then called his wife over to help. When I said
the name, she turned and pointed next door: "There
it is."
What
makes a "good" museum? I've found that to be totally
in the eye of the beholder. Someone who had been there told
me not to bother with the Mushroom Museum in Kennett Square;
I found it interesting (but smaller than its own gift shop).
My husband would have been bored stiff in the New Holland
Band Museum, but the musician in me loved it.
Digging
up these museums wasn't always easy. Knowing that some once
existed but are no more was disappointing. Like the ice
cream museum, both the Streitwieser Foundation Trumpet Museum
and the Norman Rockwell Museum closed before I ever had
a chance to visit. A lot of places are open only by appointment
or have unpredictable hours. Sometimes phone aren't answered
regularly. But, just as often, someone is nearby who will
be glad to open the door, to invite the traveler in for
a look.
It
seems as I continue this exploration, I find more and more
museums that no one has heard of and yet, as soon as I describe
what I've seen, my friends want to see them as well. The
Best Places You've Never Seen are some I've visited.
If you know of a little museum not mentioned here, one that
you think I need to see, send me an email at smallmuseumsofpa@aol.com.
More are yet to be discovered, I'm sure.
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