Selected Art History Titles
- (Im)permanence edited by Judith Schachter and Stephen Brockmann
- Aesthetics of Comics, The by David Carrier
- After the Revolution by David O'Brien
- American Picturesque by John Joseph Conron
- Angels of Art by Bailey Van Hook
- Arneson and the Object by Leo G. Mazow
- Art and Its Discontents by Richard Read
- Art and Its Messages by Stephen Davies
- Art and Science of William Bartram, The by Judith Magee
- Art and the Native American by Edited by Susan Scott
- Art of Allegiance by Michael Schreffler
- Art of Enigma,The by Keala Jewell
- Art of Healing, The by Marcia Kupfer
- Art of Medieval Urbanism by Robert A. Maxwell
- Art, Liturgy, and Legend in Renaissance Toledo by Lynette M. F. Bosch
- Arts of Spain, The by Marjorie Trusted
- Bernini and the Idealization of Death by Shelley Perlove
- Bernini's Biographies edited by Maarten Delbeke, Steven Ostrow, and Evonne Levy
- Between the Picture and the Word by Colum Hourihane
- Beyond Pleasure by Margaret Iversen
- Building in the Text, The by Roy Eriksen
- Caravaggio by John Varriano
- Chains by Satish Padiyar
- Changing Patrons by Jill Burke
- Cities and Saints by Ethel Sara Wolper
- Continuity, Innovation, and Connoisseurship edited by Mary Jane Harris
- Coral Mind, The by Stephen Bann, ed.
- Couples Discourse by Joyce Henri Robinson, ed.
- Dark Side of Nature, The by Barbara Larson
- Discerning Eye, A by Andrew Ladis
- Documenting Spain by Jordana Mendelson
- Dream of the Moving Statue, The by Kenneth Gross
- Dynamic Splendor by Ann Terry and Henry Maguire
- Early Modern Painter-Etcher by Michael Cole
- Edvard Munch's Mermaid by John Zarobell, Shelley Langdale, Mark Tucker, and Suzanne Penn
- Essence of Line, The by Fisher, Jay, William Johnston, Cheryl Snay, and Kim Schenk
- Fantastic Tales by Joyce Henri Robinson and Jonathan Weinberg
- Fernand Léger by Matthew Affron
- Fixed Ecstasy by Charles Palermo
- Gardens, Landscape, and Vision in the Palaces of Islamic Spain by D. Fairchild Ruggles
- Georgia O'Keeffe by Rene Paul Barilleaux
- Gothic Tombs of Kinship in France, the Low Countries, and England by Anne M. Morganstern
- Hans Moller by Valerie Livingston
- Homer, Eakins, and Anshutz by Randall C. Griffin
- Houses from Books by Daniel D. Reiff
- How Fra Angelico and Signorelli Saw the End of the World by Creighton Gilbert
- Icons and Power by Bissera V Pentcheva
- Illuminated Haggadot from Medieval Spain by Katrin Kogman-Appel
- Imaging the Early Medieval Bible by John W. Williams
- Interactions by Colum Hourihane, ed.
- Inventing the Art Collection by Oscar Vazquez
- Italian Master Drawings at the Philadelphia Museum of Art by Ann Percy
- Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art by Carl Strehlke
- John Covert Rediscovered by Leo G. Mazow
- Le Tumulte noir by Jody Blake
- Life of Bernini, The by Filippo Baldinucci, introduction by Maarten Delbeke, Steven Ostrow, and Evonne Levy, translated by Catherine Engass
- Looking Close and Seeing Far by Kenneth Haltman
- Looking into Walt Whitman by Ruth L. Bohan
- Making of English Photography, The by Steve Edwards
- Making of the Bibles Moralisées Volume II, The by John Lowden
- Malvasia's Life of the Carracci by Anne Summerscale
- Matisse in the Cone Collection by Jack Flam
- Medieval Art in America by Elizabeth Bradford Smith
- Monumental Intolerance by Neil McWilliam
- Musical Notes by Honorè Daumier by Joyce Henri Robinson
- Nature of Authority, The by Dianne Harris
- New Palaces of Medieval Venice, The by Jùergen Schulz
- Painted Prints by Susan Dackerman
- Painting and Politics in Northern Europe by Margaret D. Carroll
- Painting in the Age of Giotto by Hayden B. J. Maginnis
- Part Object Part Sculpture by Helen Molesworth
- Passion Story, The edited by Marcia Kupfer
- Pennsylvania German Broadside, The by Don Yoder
- Picturing Kingship by Harvey Stahl
- Picturing Space, Displacing Bodies by Lyle Massey
- Pietro Bracci and Eighteenth-Century Rome by Elisabeth Kieven and John Pinto
- Pirro Ligorio by David R. Coffin
- Place to Believe In, A edited by Clare A. Lees and Gillian R. Overing
- Poetry of Line, The by Patrick McGrady
- Pontormo, Bronzino, and the Medici by Carl Strehlke
- Portrait of Eccentricity, The by Giancarlo Maiorino
- Quattro Cento and Stones of Rimini, The by Adrian Stokes , Introduction by David Carrier, Introduction by Stephen Kite, Foreword by Stephen Bann
- Red Grooms and the Heroism of Modern Life by Joyce Henri Robinson
- Reinventing Tradition in a New World by Wang Ying and Yan Sun
- Renaissance Perfected, The by D. Medina Lasansky
- Romanesque Revival, The by Kathleen Curran
- "Shallow Creek" by Leo G. Mazow, ed.
- Shaping of Art History, The by Patricia Emison
- SlideShow by Alexander, Darsie; Charles Harrison; and Robert Storr
- Social and the Real, The by Alejandro Anreus
- Spinelli of Florence, The by Philip Jacks and William Caferro
- Staging Empire by Todd Porterfield & Susan Siegfried
- Substance and the Shadow, The by Marius Roux
- Through the Looking Glass by Joyce Henri Robinson
- Time in the Medieval World by Colum Hourihane
- To the Latest Posterity by Corinne and Russell Earnest
- Transforming Images by Claire Farago and Donna Pierce
- Uta Codex, The by Adam S. Cohen
- Valenciennes, Daubigny and the Origins of French Landscape Painting by Michael Marlais, John Varriano, and Wendy M. Watson
- Why Mona Lisa Smiles and Other Tales by Vasari by Paul Barolsky
- Within the Landscape by Phillip Earenfight and Nancy Siegel
- Women and Art in Early Modern Europe by Cynthia Lawrence
- Work Ethic by Helen Molesworth
- World in Paint, The by David Peters Corbett
- World of the Early Sienese Painter, The by Hayden B. J. Maginnis
- Wos up man? by Joyce Henri Robinson