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SHAW: The Annual of Bernard Shaw Studies, Vol. 13
Shaw and Other Playwrights

Edited by John A. Bertolini

236 pages | 6 x 9 | 1993

ISBN 978-0-271-00908-7 | cloth: $57.95

Paperback edition is not available in the U.S.

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The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors.

The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obituary tribute to Barrie demonstrates Shaw's high regard for his contemporary and near neighbor.

There are also essays on how Shaw came increasingly to resemble Strindberg as a dramatist, on the requirements of acting and directing Shaw alongside his contemporaries at the Shaw Festival at Niagara-on-the-Lake, and on Heartbreak House as a complex dialogue with Chekhov, Shakespeare, and Strindberg.

John R. Pfeiffer has prepared a special bibliography of sources relating to Shaw and other playwrights in addition to the Continuing Checklist of Shaviana, and Dan H. Laurence has provided Shaw's pronunciation guide for the more troublesome names of his stage characters. There are also reviews of four recent additions to Shavian scholarship.

Contributors include John A. Bertolini, Fred D. Crawford, R. F. Dietrich, T. F. Evans, A. M. Gibbs, Leon H. Hugo, Christopher Newton, Sally Peters, John R. Pfeiffer, Evert Sprinchorn, and Stanley Weintraub.


John A. Bertolini is Professor of English at Middlebury College and author of The Playwrighting Self of Bernard Shaw (Southern Illinois University, 1991).


Introduction: Shaw As Mimic And Model
John A. Bertolini

Shaw And Strindberg
Evert Sprinchorn

The Hibernian School: Oscar Wilde And Bernard Shaw
Stanley Weintraub

Shaw And The Twenty-Nine Percenters
Leon H. Hugo

Arnold Bennett And Shaw: You Will Not Take The Theatre Seriously Enough
T.F. Evans

Finding Something New To Say: Rattigan Eludes Shaw
John A Bertolini

Shaw's British Inheritors
Fred D. Crawford

Heartbreak House: Chamber Of Echoes
A.M. Gibbs

Notes On Directing Shaw And A Few Contemporaries
Christopher Newton

The Ghost Of Adelphi Terrace
Gwyn Thomas (Edited By R.F. Dietrich)

Barrie: The Man With Hell In His Soul
Bernard Shaw

As He Liked It: Bernard Shaw's Pronouncing Guide To His Stage Characters
Dan H. Laurence

Shaw And Other Playwrights: A Bibliography Of Secondary Writings
John R. Pfeiffer

Reviews

The New Woman Versus The Old Adam (Shaw's Daughters By J. Ellen Gainor)
Sally Peters

The Reviewer In Spite Of Himself (Bernard Shaw's Book Reviews By Brian Tyson)
Fred D. Crawford

Old Age Shavian Style (Bernard Shaw, Vol. 3, By Michael Holroyd)
Leon H. Hugo

Bernard Shaw Research: Is It Only Just Begun? (Bernard Shaw: A Guide To Research By Stanley Weintraub)
John R. Pfeiffer

A Continuing Checklist Of Shaviana
John R. Pfeiffer

Notices

Contributors