Share This Page
Alexander Bestuzhev-Marlinsky and Russian Byronism
388 pages | 18 illustrations | 6 x 9 | 1995
Cloth edition is not available
ISBN 978-0-271-02613-8 | paper: $30.95
“This is an impressive study of a Russian literary figure who in his own time (the early 19th-century) was both more, and less, than his current reputation now merits in the world of Russian letters. Dying literally on the cusp of a paradigm shift from Romantic to Realistic prose, he was quickly written out of Russian literary history and parodied mercilessly throughout the 19th-century. And this is a pity, for Bestuzhev’s aesthetics have remained an important, if unacknowledged, aspect of Russian thinking about culture, real-life roles, and the charisma of self-constructed heroes.” —Caryl Emerson, Princeton University
A study of the life, work, and influence of Russia's most popular writer of Romantic prose fiction.
"This is an impressive study of a Russian literary figure who in his own time (the early 19th century) was both more, and less, than his current reputation now merits in the world of Russian letters. Dying literally on the cusp of a paradigm shift from Romantic to Realistic prose, he was quickly written out of Russian literary history and parodied mercilessly throughout the 19th century. And this is a pity, for Bestuzhev's aesthetics have remained an important, if unacknowledged, aspect of Russian thinking about culture, real-life roles, and the charisma of self-constructed heroes."—Caryl Emerson, Princeton University
The most popular Russian prose fiction writer in the 1820s and 1830s, Alexander Bestuzhev (pseudonym Marlinsky) was also a literary critic, poet, military hero, and revolutionary. This study attempts to reestablish Bestuzhev's position in Russian cultural history while at the same time introducing a forgotten literary icon to a new audience.
Lewis Bagby places Bestuzhev within the fashionable trends of early European Romanticism and analyzes his Byronic literary persona intricately connected to his military career, the literary polemics of the day, fiction writing, and political activism. This approach permits a reading of Bestuzhev's literary persona from the perspective of carnival rebirth and heroic death, which are seen here as driving impulses behind Bestuzhev's life, his art, the Decembrist revolt, his popularity, and the subsequent disclaimer of his importance by later generations. Of central importance to Bagby's interpretation are the works of Mikhail Bakhtin, Rene Girard, and Yury Lotman as they touch on the traditions of the carnivalesque in the creation of art, personal identity, and political revolt.
Lewis Bagby is Professor of Modern and Classical Languages and Director of the Wyoming-Saratov Initiative and the Russia Student Exchange Program at the University of Wyoming.