Winner,
1998 Gradiva Award from the National and World Associations for the
Advancement of Psychoanalysis
"Arguing like an analytic philosopher with the skill of a well-trained
art historian, Whitney Davis combines the rigorous erudition of
a classical scholar with an absolutely contemporary sensibility.
Ferociously intelligent, he focuses on fundamental conceptual issues.
Art historians, philosophers of art, and cultural historians will
want to read this book with as much close attention as it devotes
to the texts and images Davis discusses."-David Carrier, Carnegie
Mellon University
The twelve interdisciplinary essays collected here explore what
Whitney Davis calls "replication" in archaeology, art history, and
psychoanalysis-the sequential production of similar artifacts or
images substitutable for one another in specific contexts of use.
Davis suggests that while archaeology deals with the "physics" of
replication (its material conditions and constraints), psychoanalysis
deals with the "psychics" of replication (its mental conditions
and constraints). Because art history is equally interested in the
material properties and in the personal and cultural meaning of
artifacts and images, it can mediate the interests of archaeology
and psychoanalysis. Thus Replications explores not only the
differences between but also the common ground shared by archaeology,
art history, and psychoanalysis-focusing, for example, on their
mutual interest in the "style" of artifacts or image making, their
need to treat the "nonintentional" or "nonmeaningful" element in
production, and their models of the subjective and social transmission
of replications in the life history of persons and communities.
Replications is an original contribution to an emerging
field of study in domains as diverse as philosophy, cognitive science,
connoisseurship, and cultural studies-the intersection of the material
and the meaningful in the human production of artifacts. Davis develops
formal models for and theories about this relationship, exploring
the ideas of a number of philosophers, historians, and critics and
presenting his own distinctive conceptual analysis. |
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| Whitney
Davis is John Evans Professor of Art History and Director
of the Alice Berline Kaplan Center for the Humanities at Northwestern
University. He is the author of, most recently, Pacing the World:
Construction in the Sculpture of David Rabinowitch (Fogg Art Museum,
1996), Drawing the Dream: Homosexuality, Interpretation, and
Freud's 'Wolf Man' (Indiana, 1995), and Masking the Blow: The Scene
of Representation in Late Prehistoric Egyptian Art (California,
1992). |
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