The first full-scale treatment of the mostly marble vessels of the prehistoric Aegean period in the third millennium B.C.

"This valuable, detailed, and pleasingly presented technical analysis is well written, and contains superb illustrations."—Choice

"Getz-Gentle has first-hand experience with great numbers of Cycladic objects, and she has an extraordinarily acute sensitivity to style. This work is the natural companion to her previous work on the Early Cycladic figures, and it is essential to the scholarly world that it be available. There is nothing comparable to its completeness and approach in any language."—Margaret Ellen Mayo, Virginia Museum of Fine Arts

With the exception of early Egypt and Minoan Crete, no early culture had such a vigorous stone vase-making industry as the Cyclades. Figures and vessels of stone, overwhelmingly of marble, are the most distinctive and appealing products of the Early Cycladic culture. The vessels, like the better-known figures, formed a special class of object that conformed to a strict traditional typology. Ranging from charming miniatures to works of impressive size, they often show a striking purity of form, beauty of material, and excellence in their workmanship. Stone Vessels of the Cyclades in the Early Bronze Age is the first comprehensive study of these vessels.

For each vessel type, Pat Getz-Gentle considers the material used, the size range, and the formal characteristics and the extent of their variation. She also discusses manufacturing methods, the incidence of repairs occasioned by accidental damage, and the possible function or functions, as well as the development, frequency, dating, and distribution of each vessel type within the Cyclades and beyond. She stresses the human element—how the vessels were used, held, and carried; how much they weigh; and how much they hold. She examines the sculptors who made them—how they might have designed and executed their works, how on occasion they seem to have modified their original plans, and how they stand out as individual artists working within a traditional craft. The 114 plates, with more than 500 separate photographs, illustrate works that show both the homogeneity and the diversity within each type.