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Gare d'Orsay train station, designed by French architect Victor Laloux,
opened in Paris in 1900 to much fanfare. In fact, it was so beautiful
that the French painter Eduoard Détaille felt it would be more
appropriate as a museum. Eighty-six years later, after a complex and
controversial decision-making process, the French government finally
transformed the station into the Musée d'Orsay, now one of
the most dramatic and popular museums in Paris. This concise book
presents the fascinating history of the creation of the Musée
d'Orsay and the battles among the prominent politicians, curators,
and historians over the architecture, collections, and concept of
the museum.
Relying primarily on interviews and contemporary newspaper articles,
Andrea Schneider uses her expertise in decision-making analysis
to uncover a story that reveals the true power of the curatorial
elite. The book focuses on the powerful role of the government in
the French art world—a role that may seem remarkable to most Americans.
The book also provides insight into the zealous, and often amusing,
viewpoints of the French public, art critics, and politicians.
Battle lines were drawn over many questions: Should a nineteenth-century
building be saved or destroyed? Should its interior be decorated
in a Beaux-Arts style or in a modern design? What period should
the museum encompass? Should both academic and avant-garde art be
shown in the museum? How should it be organized? Is the museum concerned
with the elite or the masses, with high culture or popular culture?
Should there be history in an art museum? The story behind the compromises
that resulted is fascinating for what it reveals about the interaction
of power and culture in French society. |
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