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The Building in the Text
From Alberti to Shakespeare and Milton
216 pages | 7 illustrations | 6 x 9 | 2000
ISBN 978-0-271-02022-8 | cloth: $42.95 sh
ISBN 978-0-271-02783-8 | paper: $22.95 sh
Selected for jacket design for the 2000 Book, Jacket, and Journal Show of the Association of American University Presses
“The Building in the Text, by bringing together material from a number of sources and applying it to an analysis of how evolving rhetorical conventions shaped the compositional, structural, and visual from of early modern literary production, offers the reader an important interdisciplinary study of how architecture and rhetoric converged over time and emerged in the Renaissance in the form of writing and poetry that was recognizably architectonic and visual in nature.” —Douglas A. Brooks, South Central Review
“Eriksen offers an insightful exposition on the craft of writing, providing an interdisciplinary study of architectural metaphors and further exploring the visual nature of Renaissance literature and poetry” —Deborah H. Cibelli, Sixteenth Century Journal
“While rhetoric has been central to the study of humanist writing devoted to art and architecture, the importance of artistic and architectural theory for literature has been largely overlooked. Eriksen’s new assessment, The Building in the Text, fills this void. The study not only discusses the significance of classical rhetoric for aesthetics; it also explores the ways in which Renaissance artistic theory, including architectural treatises, influenced Italian and Elizabethan literary culture.
Eriksen offers an insightful exposition on the craft of writing, providing an interdisciplianary study of architectural metaphors and further exploring the visual natures of Renaissance literature and poetry.” —Deborah H. Cibelli, Sixteenth Century Journal
“Highly original yet well founded historically: an important contribution to the scholarship of the Italian Renaissance.” —Alastair Fowler, University of Edinburgh
In The Building in the Text, Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari.
Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos.
Eriksen's book will be of interest to art historians, historians of literature, and those concerned with the classical heritage, rhetoric, music, and architecture.
Roy Eriksen is Professor of Interdisciplinary Italian Renaissance Studies at the University of Oslo in Rome.