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Cover for the book Shaw Offstage (SHAW vol. 9)

Shaw Offstage (SHAW vol. 9)

The Nondramatic Writings Edited by Fred Crawford
  • Publish Date: 10/1/1990
  • Dimensions: 6 x 9
  • Page Count: 243 pages
  • Hardcover ISBN: 978-0-271-00652-9

The newest volume of SHAW emphasizes Shaw's mastery of nondramatic forms. In "My Dear Dorothea: Shaw's Earliest Sketch," Laura Tahir examines Shaw's first sustained literary effort, an instructional tract for the moral education of a young girl. Ray Bradbury introduces Shaw's "The Best Books for Children," a previously unpublished essay offering thoughts on children's literature. Stanley Weintraub evaluates Shaw's political ballads, published anonymously in the Star in 1588–89. Included in the volume are Shaw's contribution to The Salt of the Earth, a collaborative novel published in the World in 1890 introduced by Fred D. Crawford, and "Civilization and the Soldier," an essay reflecting on the nature of the British Empire in the context of the Boer War. Lee W. Saperstein introduces Shaw's previously unpublished "Orkney and Shetland," a short travel guide that Shaw wrote for the Royal Automobile Club.

Shaw's nondramatic writing frequently illuminates the plays. Stuart E. Baker analyzes The Quintessence of Ibsenism to define Shavian realism as it applies to the plays, and Michael J. Holland explores Shaw's short fiction to trace the early development of techniques that served Shaw well in his drama. Howard Ira Einsohn looks at the relationship between The Intelligent Woman's Guide and The Apple Cart.

Three articles examine Shaw's nondramatic concerns in a biographical and historical context. In "The Black Girl and Some Lesser Quests: 1932–1934," Leon H. Hugo traces the origin of The Black Girl. Vivian Ducat's "Bernard Shaw and the King's English" tells of Shaw's involvement with the BBC Advisory Committee on Spoken English. In "The Bernard Shaw/Edward Gordon Craig Feud," James Fisher explores Shaw and Craig's public and private relationship, which included disagreements involving dramatic theory and the publication of the Shawl Terry correspondence.

SHAW 9 emphasizes Shaw's mastery of nondramatic forms and shows the extent to which, for Shaw, drama remained only one of many vehicles available for conveying the Shavian viewpoint.

Fred O. Crawford is the author of Mixing Memory and Desire: The Waste Land and British Novels, and British Poets of the Great War. He is Assistant Professor of English at Central Michigan University.

Contents

INTRODUCTION: OFFSTAGE? 1

Fred D. Crawford

1. MY DEAR DOROTHEA: SHAW'S EARLIEST SKETCH 7

Laura Tahir

2. ON SHAW'S “THE BEST BOOKS FOR CHILDREN” 23

Ray Bradbury

3. THE BEST BOOKS FOR CHILDREN 25

Bernard Shaw

4. BALLADS BY SHAW: THE ANONYMOUS STAR

VERSIFIER OF 1888–1889 29

Stanley Weintraub

5. SHAW'S COLLABORATION IN THE SALT OF THE EARTH 39

Fred D. Crawford

6. THE SALT OF THE EARTH 45

Bernard Shaw

7. SHAVIAN REALISM 79

Stuart E. Baker

8. CIVILIZATION AND THE SOLDIER 99

Bernard Shaw

9. SHAW'S SHORT FICTION: A PATH TO DRAMA 113

Michael J. Holland

10. THE ORKNEYS REVISITED 131

Lee W. Saperstein

11. ORKNEY AND SHETLAND 139

Bernard Shaw

12. THE INTELLIGENT READER'S GUIDE TO

THE APPLE CART 145

Howard Ira Einsohn

13. THE BLACK GIRL AND SOME LESSER QUESTS:

1932–1934 161

Leon H. Hugo

14. BERNARD SHAW AND THE KING'S ENGLISH 185

Vivian Ducat

15. “THE COLOSSUS” VERSUS “MASTER TEDDY”: THE

BERNARD SHAW/EDWARD GORDON CRAIG FEUD 199

James Fisher

16. A CONTINUING CHECKLIST OF SHAVIANA 223

John R. Pfeiffer

CONTRIBUTORS 237

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