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Painting as Business in Early Seventeenth-Century Rome

By Patrizia Cavazzini

256 pages | 24 color/47 b&w illustrations | 9 x 10 | 2008

ISBN 978-0-271-03215-3 | cloth: $80.00 sh

Paperback edition is not available in the U.S.


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“The book, rich and variegated, is very enjoyable and often funny. But is also, in may important ways, challenges past assumptions and presents an entirely new portrait of the production and diffusion of art in Rome. Pleasurable, challenging and informative, this is an important book, which stands as a complement, and at some points as an adjustment, to Haskell’s celebrated Patrons and Painters.” —Helen Langdon, Apollo

Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini’s extensive archival research reveals a substantially different situation.

Cavazzini presents lively and colorful accounts of Roman artists’ daily lives and apprenticeships and investigates the vast, popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.


Patrizia Cavazzini is an independent scholar. She is the author of Palazzo Lancellotti ai Coronari: Cantiere di Agostino Tassi (1998)


Contents

List of Illustrations

Acknowledgments

Glossary

Introduction

1 Artists and Craftsmen

2 Training

3 The Diffusion of Painting

4 The Market

Conclusions

Appendix

Notes

Bibliography

Index