The Pennsylvania State University
Cover for the book Becoming Modern, Becoming Tradition

Becoming Modern, Becoming Tradition

Women, Gender, and Representation in Mexican Art Adriana Zavala
  • Publish Date: 6/2/2010
  • Dimensions: 8 x 10
  • Page Count: 408 pages
  • Illustrations: 24 color/70 b&w illustrations
  • Hardcover ISBN: 978-0-271-03471-3
  • Paperback ISBN: 978-0-271-03524-6

Hardcover Edition: $95.00Add to Cart

Paperback Edition: $44.95Add to Cart

Winner of the 2011 Association for Latin American Art book award, an affiliate of the College Art Association.

“This important research will add significantly to the understanding of this period of Mexican history.”

Becoming Modern, Becoming Tradition examines the relationships among women, nationalism, racial identity, and modernity before, during, and after the Mexican Revolution. In this innovative study, Adriana Zavala demonstrates that the image of Mexican womanhood, whether stereotyped as Indian, urban, modern, sexually “degenerate,” or otherwise, was symbolically charged in complex ways both before and after the so-called postrevolutionary cultural renaissance, and that crucial aspects of postrevolutionary culture remained rooted in nineteenth-century conceptions of woman as the bearer of cultural and social tradition. Focusing on images of women in a variety of contexts—including works by such artists as Diego Rivera, José Clemente Orozco, María Izquierdo, and Frida Kahlo, as well as films, pornographic photos, and beauty pageant advertisements—this book explores the complex and often fraught role played by visual culture in the social and political debates that raged over the concept of womanhood and the transformation of Mexican identity in the late nineteenth and early twentieth centuries.

Adriana Zavala is Associate Professor of Art History at Tufts University.

Contents

List of Illustrations

Acknowledgments

Introduction

1. The Eternal Feminine: Self-Sacrifice, Modesty, and Discretion

2. Fin de Siglo: Modernity and the Culture of Decadence

3. Pupilas and Mestizas

4. Santa, La India Bonita, and Mexican Maternity

5. Desnudas, Amazonas, and Tehuanas

6. Double Portraits: “Sons (and Daughters) of La Malinche

Epilogue

Notes

Bibliography

Index

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