A Fact Has No Appearance
Edited by Russell Storer, Adele Tan, and Clarissa Chikiamco
This publication is the catalogue for A Fact Has No Appearance: Art Beyond the Object which makes a nuanced exploration of the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan (Philippines), Redza Piyadasa (Malaysia), and Tan Teng-Kee (Malaysia/Singapore), all of whom have been recognized for breaking new ground in Southeast Asia modern art. It features essays on each artist by the curators, as well as a rich images of the artists’ works, installation views and biographical information.
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This publication is the catalogue for A Fact Has No Appearance: Art Beyond the Object which makes a nuanced exploration of the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan (Philippines), Redza Piyadasa (Malaysia), and Tan Teng-Kee (Malaysia/Singapore), all of whom have been recognized for breaking new ground in Southeast Asia modern art. It features essays on each artist by the curators, as well as a rich images of the artists’ works, installation views and biographical information.
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