| "Sacred
Estrangement is an excellent study of the ways different autobiographers
have found for adopting and adapting a tradition of Christian conversion
narrative for their own secular purposes. It is a valuable and most
welcome contribution to thought about the nature of the autobiographical
act." -James Olney, Louisiana State University
Sacred Estrangement analyzes certain works by important
American writers and thinkers in the context of the "rhetoric of
conversion." Such analysis is especially valuable because it provides
a reliable index of the relationship between the self and larger
communities. Traditionally, "conversion " has served a socializing
function, signifying that one has come into alignment with certain
linguistic, behavioral, and cultural expectations. The socialization
process is particularly apparent in the Christian conversion narratives
of the seventeenth through nineteenth centuries: by publicly testifying
to a conversion experience, believers became empowered members,
not only of God's elect community but also of a local population.
As modern autobiography developed in the eighteenth and nineteenth
centuries, the Christian pattern was secularized and individualized.
Conversion became a model for many kinds of psychological change.
With the coming of the twentieth century, however, the authors upon
whom Peter Dorsey focuses, including William and Henry James, Henry
Adams, Edith Wharton, Ellen Glasgow, Zora Neale Hurston, and Richard
Wright, radically revised conversion rhetoric. If conversion had
traditionally linked the search for illumination with the search
for a defined social role, these writers increasingly used conversion
as an index of estrangement from mainstream America. Dorsey documents
this profound change in the way American intellectuals defined the
"self," not in terms of personal orientation toward or away from
a given community, but as a resistance to such an orientation altogether,
as if social forces by their "nature" were a threat to personal
identity. |
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