Public Access to Art in Paris
A Documentary History from the Middle Ages to 1800
Robert W. Berger
“This is a good book. It supplements the famous documentary histories by Elizabeth Holt while focusing on a city which was, as the author argues, the site of many innovations with respect to the display and public consumption of art in the pre-modern period. The translations are sound and the writing is clear.”
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This book focuses on the settings where art objects were on view to a general public, whether these objects were monumental carvings permanently affixed to church façades, or small cabinet paintings temporarily displayed at an exhibition. Berger is interested in how the visual arts were made available to a public that, by and large, did not commission art, did not purchase or collect it, and was not concerned with it in a scholarly or intellectual sense, but, like the public of today, approached art as pleasurable entertainment or distraction. During the eighteenth century in Paris, this public came to be recognized as a force influencing the display of art and its critical reception. Public Access to Art in Paris both documents how this decisive shift in culture occurred and offers a panorama of artistic life in Paris over seven centuries.
“This is a good book. It supplements the famous documentary histories by Elizabeth Holt while focusing on a city which was, as the author argues, the site of many innovations with respect to the display and public consumption of art in the pre-modern period. The translations are sound and the writing is clear.”
Robert W. Berger is the author of Antoine Le Pautre: A French Architect of the Era of Louis XIV (1969), Versailles: The Chateau of Louis XIV (Penn State Press, 1985), In the Garden of the Sun King: Studies on the Park of Versailles Under Louis XIV (1985), The Palace of the Sun: The Louvre of Louis XIV (Penn State, 1993) and A Royal Passion: Louis XIV as Patron of Architecture (1994).
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