Banner with links HomeP S U dot E D U home

Menu:



subMenu:



Buy this book from Powell's Books

Share this page Share This Page

To permission or license from this book
get permission to use this content
Book cover image

Malvasia's Life of the Carracci
Commentary and Translation

456 pages | 16 color/49 b&w illustrations | 8 1/2 x 11 | 2000

ISBN 978-0-271-01899-7 | cloth: $110.95 sh

Paperback edition is not available in the U.S.


Shopping Cart



Ludovico, Agostino, and Annibale Carracci played leading roles in bringing about the changes in style and outlook that transformed the art of painting around 1600. Working both as a team and as individuals, they turned away from the conventions of Mannerism to reinvigorate the Renaissance tradition and usher in a new style, at once naturalistic, classical, and spirited.

Malvasia's "Life of the Carracci" has been the principal source of knowledge about these pioneering artists since its first publication in 1678 in Felsina pittrice, vite de' pittori bolognesi. Malvasia, a law professor and a literary man, was brilliant, innovative, and contentious. His biography of the Carracci is pivotal to his celebration of the Bolognese contribution to Baroque art and provides a window onto the cultural life of seventeenth-century Italy. The worlds of artisans, artists, literati, and patrons intersect in his text, giving it incomparable historical and literary value.

Although Malvasia's "Life of the Carracci" is widely cited, this is the first translation in any language and the first to offer an extended critical and historical commentary. Malvasia's own life is discussed, and his triple biography of the Carracci is situated within the intellectual and literary currents to which he responded.

Richly illustrated, Summerscale's book will be an indispensable resource for art historians and students of seventeenth-century literature and historiography.


Anne Summerscale is an independent scholar. She is an editor for the National Gallery of Art, and her previous publications include a contribution to M. B. Cohen's A Noble Collection: The Spencer Albums of Old Master Prints (Harvard Art Museums 1992).