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At the Margins of the Renaissance
Lazarillo de Tormes and the Picaresque Art of Survival
200 pages | 12 illustrations | 6 x 9 | 2003
ISBN 978-0-271-02279-6 | cloth: $55.95
Paperback edition is not available in the U.S.
Winner of the 2004 Modern Language Association's James Russell Lowell Prize
“Maiorino successfully shifts the discussion of Renaissance texts in particular and of literature in general from heroes of the upper or even the middle classes to the 'common people.' He accomplishes this by returning us to an early form of the novel and the prototype of picaresque fiction, the Lazarillo de Tormes, taking this early 'novel' as the starting point for a wide-ranging and stimulating discussion of various tropes and images that will lead toward a greater understanding of the ways in which aesthetic and socioeconomic factors figure in literary texts.” —James Mandrell, Brandeis University
“Giancarlo Maiorino's new book is an important, complex, and suggestive study that foregrounds the many contexts of the picaresque. . . . The book will become a standard reference for all students of picaresque narratives.” —Frederick de Armas, University of Chicago
“This scholarship is clear, concise, pithy, and powerful.” —Bibliotheque d'Humanisme et Renaissance
Published anonymously in 1554, Lazarillo de Tormes upset all the strict hierarchies that governed art and society during the Renaissance. It traces the adventures, not of a nobleman or ancient hero, but rather of an ordinary man who struggles for survival in a cruel, corrupt society after growing up under the care of a blind beggar. Giancarlo Maiorino treats this picaresque narrative as a prism for exploring econopoetics, a term he uses to foreground the ways in which literary and economic modes of production feed off one another. His approach introduces readers to the turbulent world of common people of Renaissance Spain even as it affords abundant insights into the historical significance of this literary classic.
Although literary historians generally connect the rise of the novel to the needs of the middle classes of England, Maiorino demonstrates that its deepest roots are in the culture of indigence that developed at the peripheries of Renaissance society and challenged—even parodied—its authoritarian ambitions. Seen in this light, Lazarillo de Tormes emerges as a key text in understanding the novel's purchase on visions of escape from authority into alternative modes of existence.
Maiorino grounds his far-reaching arguments in recent theories of textuality and the practices of everyday life. His book will be important reading for all those concerned with the Renaissance, Spanish history and culture, and, more generally, theories of the novel.
Giancarlo Maiorino is Rudy Professor of Comparative Literature, Indiana University, and editor of The Picaresque: Tradition and Displacement (1999). He is the author of numerous books, including The Portrait of Eccentricity: Arcimboldo and the Mannerist Grotesque (1991) and Leonardo da Vinci: The Daedalian Mythmaker (1992), both from Penn State Press.
Contents
Acknowledgments
Illustrations
In the Belly of Indigence
1 Econopoetics and the Great Chain of Handouts
Starved to Death
2 The Mousetrap: The Price of Staying Alive
3 Inconspicuous Consumption: Of Toothpicks and Leftovers
Out of Laceria
4 The Water Carrier: From Subsistence to Prosperity
5 The Economic Culture of Toledan Provecho
The Price of Onomastics
6 Lázaro de Tormes: What’s in a Name?
7 Will Lazarus Ever Be a Wage Earner?
Dividends of the Mind
8 The Cost of Education: A Tale of Two Cities
9 The Economy of Genre10 At the Margins: Whose Renaissance?
Works Cited
Index of Names
Index