Pirro Ligorio

“The wide range of Ligorio’s activities has created a diffuse bibliography across several disciplines, many of its sources in publications which are not easily found in most libraries. Professor Coffin has admirably synthesized this large body of work . . . and he has added new observations as well. It is both a genial and learned perusal of one of the challenging figures of the 16th century, and what results is a unique and significant multidisciplinary contribution.” —Leon Satkowski, University of Minnesota

“David Coffin's biography is a welcome addition to the relatively thin literature on Ligorio. His study draws on a lifetime of distinguished work on and around Ligorio, whose voluminous manuscripts have been mined by scholars. The learning displayed by this densely documented study and the associated collection of imagery is most admirable, worthy of the immensely erudite subject himself.” —Charles Burroughs, Binghamton University

“This volume reflects the alpha and the omega of the author’s career.” —J.K. Dabbs, Choice

“The volume is well produced, with copious black-and-white illustrations integrated with the text.” —J.K. Dabbs, Choice

“The present volume is the most authoritative exploration of the life and work of one of the Renaissance great figures, the Neapolitan artist and antiquarian Pirro Ligorio.” —Bruno M. Damiani, Catholic Historical Review

“Coffin's work will not end debate on specific attributions or the quality of Ligorio's artistic work, but this biography should serve as the foundation for any further studies of the artist.” —Robert E. Roemer, Renaissance Quarterly

“As the first biography of Ligorio, David Coffin’s book is much welcome, even if it has been a long time in the making.” —Giles Worsley, Apollo

“Coffin’s book serves as a helpful master narrative to a figure that had previously seemed difficult to approach. . . . The breadth of Ligorio’s achievements make him undoubtedly one of the most daunting sixteenth-century figures to fully capture in print. We are fortunate that Coffin, whose own intellectual biography was so inexorably intertwined with that of his subject, found the chance to complete this book before his death.” —Mark Rosen, CAA Reviews

“The excellent production values, favoring a generous quantity of sharp, rich black-and-white photographs that achieve optimal visual force on heavy, coated paper, create a vivid contrast to the unfortunately gray, often fuzzy pictures of Coffin’s earlier The English Garden: Meditation and Memorial (Princeton, 1994). One can only hope this is not the last of the genre of the beautiful scholarly book, capaciously illustrated but not overly long.” —Nicola Courtright, Journal of the Society of Architectural Historians

“Coffin has done a service to Renaissance studies in representing Ligorio in whole rather than in parts, and in giving clear indications of his achievements and innovations, as well as his extraordinary vision of antiquity. This book will not be the definitive work on Ligorio—his breadth of production, his influence and reception could potentially fuel several volumes —but it is a very good place to begin.” —Susan Russell, Burlington Magazine

“Coffin’s calm and sympathetic assessment would surely have been welcomed by Ligorio, not least as an ample corrective to the dark shadow that Vasari cast over his successes.” —William Stenhouse, International Journal of the Classical Tradition