“The essays are uniformly excellent and show exciting possibilities
for Adorno’s relevance to feminism.” —Judith Grant,
Ohio University
Adorno is often left out of the “canon” of influences
on contemporary feminist theory, but these essays show that his
work can provide valuable material for feminist thinking about a
wide range of issues. Theodor Adorno was a leading scholar of the
Institute for Social Research in Frankfurt, Germany, otherwise known
as the Frankfurt School. With Max Horkheimer he contributed to the
advance of critical theorizing about Enlightenment philosophy and
modernity. Inflected by Kant, Marx, Nietzsche, and Freud, Adorno’s
thinking defies easy categorization. Ranging across the disciplines
of philosophy, musicology, and sociology, his work has had an impact
in many fields. His Dialectic of Enlightenment (written
with Max Horkheimer) was profoundly influential as a critique of
fascistic and authoritarian impulses in Enlightenment thinking in
the context of late capitalism.
Questions addressed in the volume range from dilemmas in feminist
aesthetic theory to the politics of suffering and democratic theory.
The essays are exemplary as works in interdisciplinary scholarship,
covering a wide range of issues and ideas in feminism as authors
critically interpret the many facets of Adorno’s work. They
take Adorno’s historical situatedness as a scholar into consideration
while exploring the relevance of his ideas for post-Enlightenment
feminist theory. His philosophical and cultural investigations inspire
reconsideration of Enlightenment principles as well as a rethinking
of “postmodern” ideas about identity and the self. Feminist
Interpretations of Theodor Adorno will introduce feminists
to Adorno’s work and Adorno scholars to modes of feminist
critique. It will be especially valuable for senior undergraduate
and graduate courses in contemporary political, social, and cultural
theory.
In addition to the editor, contributors are Paul Apostolidis, Mary
Caputi, Rebecca Comay, Jennifer Eagan, Mary Ann Franks, Eva Geulen,
Sora Han, Andrew Hewitt, Gillian Howie, Lisa Yun Lee, Bruce Martin,
and Lambert Zuidervaart. |
|
|
Content
Preface
by Nancy Tuana
Acknowledgments
1
Introduction: Feminism and Negative Dialectics
Renée Heberle
2 An Interview with Drucilla Cornell
Questions by Renée Heberle
3 Adorno’s Siren Song
Rebecca Comay
4 A Feminine Dialectic of Enlightenment? Horkheimer and Adorno
Revisited
Andrew Hewitt
5 “No Happiness Without Fetishism”: Minima Moralia
as Ars Amandi
Eva Geulen
6 The Bared-Breasts Incident
Lisa Yun Lee
7 Mimetic Moments: Adorno and Ecofeminism
D. Bruce Martin
8 Intersectional Sensibility and the Shudder
Sora Y. Han
9 An-aesthetic Theory: Adorno, Sexuality, and Memory
Mary Ann Franks
10 Living with Negative Dialectics: Feminism and the Politics
of Suffering
Renée Heberle
11 Negative Dialectics and Inclusive Communication
Paul Apostolidis
12 Feminist Politics and the Culture Industry: Adorno’s
Critique Revisited
Lambert Zuidervaart
13 Unfreedom, Suffering, and the Culture Industry: What Adorno
Can Contribute to a Feminist Ethics
Jennifer L. Eagan
14 Unmarked and Unrehearsed: Theodor Adorno and the Performance
Art of Cindy Sherman
Mary Caputi
15 The Economy of the Same: Identity, Equivalence, and Exploitation
Gillian Howie
Contributors
Selected Bibliography
Index
|
|
|