The Drama of the Portrait
- Copyright: 2008
- Dimensions: 7.75 x 11.5
- Page Count: 196 pages
- Illustrations: 50 color/14 b&w illustrations
- Hardcover ISBN: 978-0-271-03304-4
Winner of the 2010 Eleanor Tufts Book Award Winner of a 2009 AAUP Book Jacket and Journal Show Award for Scholarly Illustrated
Publication of this book has been aided by a grant from the Millard Meiss Publication Fund of the College Art Association
“Bass has interwoven detailed research in Spanish art history, treatises on painting, and the social history of portraiture with illuminating readings of specific plays to present an enormously valuable perspective on a quintessential art form of the baroque.”
“Despite the very complex ideas at work here, and the ambitious reach of the project, Bass’s prose is limpid and highly accessible. While The Drama of the Portrait is a tremendous contribution to both visual and literary studies in the field, it will also help disseminate this new and sophisticated approach to the comedia to a broad audience. The richly appealing book, with its over sixty sumptuous illustrations (many of them in color), itself makes a persuasive case for the seductiveness of the visual image.”
“[Laura Bass’s] erudite, innovative, elegantly written, and—it should be mentioned—beautifully illustrated monograph is an essential contribution to studies of classical Spanish theatre and of early modern Spanish culture in general.”
“[Laura R. Bass’s work] explores the drama of the portrait reenacted in seventeenth-century Spanish theater as a historical and cultural chapter of an ideal history of responses to human likeness. . . . Through the study of selected plays interwoven with visual images, crossed with the analysis of specific paintings, understood in the wider context of art theory and of social, political, and economic history, Bass gives a striking reading of the practice and culture of portraiture seen through the lens of theater as shaping the Spanish ideal of monarchy at the same time that it reveals the underlying anxiety about its crisis.”
“Laura R. Bass has written a beautiful and significant book: aesthetically pleasing in terms of the sixty-seven illustrations (a large number in colour) and the comprehensible scholarly style; and conceptually discerning in respect of the historical, material and theoretical readings of select plays interwoven with visual images, the thorough documentation in the accompanying notes, and the exhaustive bibliographical apparatus.”
The Drama of the Portrait examines the motif of portraiture in Spanish Golden Age theater, drawing from a wide range of drama and imagery to enrich our understanding of the social functions of portraiture and the importance of the theater as a venue for visual education in the court society of early modern Madrid. Written in an engaging and accessible style, this is a model of interdisciplinary scholarship that deftly interweaves detailed research in Spanish art history and material culture, treatises on painting, and the social history of portraiture with original readings of plays.
The Drama of the Portrait illuminates collaborations among artists whose work crossed boundaries in ways far more complex than traditional scholarship has acknowledged. Dramatists like Lope de Vega and Pedro Calderón de la Barca contributed to a culture of connoisseurship that promoted painters such as Diego Velázquez. Both writers and painters shared in the task of constructing Spain's image of itself. At the same time, they were keenly attuned to the social, political, and economic tensions of their age. The great playwrights and artists of the Spanish Baroque dramatized the crisis points in a society that depended on theater and painting for its own representation but remained deeply ambivalent about both art forms.
List of Illustrations
Introduction: Dramas of the Portrait
1. Visual Literacy and Urban Comedy
2. Stolen Identities
3. Blood Portraits
4. The Powers and Perils of Doubles
5. Framing the Margins on Center Stage
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