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An Architectural Progress in the Renaissance and Baroque
Sojourns In and Out of Italy
952 pages | 9 color/647 b&w illustrations | 8.5 x 11 | 1992
Cloth edition is not available
Paperback edition is not available in the U.S.
Contributors
The Barbadori Chapel in Santa Felicita - Jack Wasserman, Temple University
The Bath Palace of Pope Nicholas V at Viterbo - Charles Mack, University of South Carolina
Alexander VI, Pinturicchio, and the Fabrication of the Via Alessandrina in the Vatican Borgo - Eunice Howe, University of Southern California
The Colosseum as a Site for Sacred Theatre: A Pre-History of Catlo Fontana's Project - Barbara Wisch, The Pennsylvania State University
Der römische Palazzo della Sapienza als 'Gymnasion': Antike Quellen eines für Pirro Ligorio zu sichernden Hauptwerks - Robert Stalla, University of Munich
Il Cardinale Grancesco Maria del Monte e la fortuna del progetto buonarrotiano per la Basilica di S. Pietro a Roma: 1604-1613 - Zygmant Wízbwíski, University of Torun, Poland
Madernos St. Peter Entwürfe - Christ of Thoenes, Bibliotheca Hertziana, Rome
Maderno and Borromini: Plan and Section - Patricia Waddy, Syracuse University
Rubens' Oil Sketches for Architecture - Linda Bauer, University of California at Irvine
The Meaning of the Portico of Palazzo Barberini - Stephen Tobriner, University of California at Berkeley
Plautilla Bricci 'Architettrice' and the Villa Benedetti in Rome - John Varriano, Mount Holyoke College
Bernini's Commission for the Equestrian Statue of Constantine in St. Peter's : A Preliminary Reading - Tod Marder, Rutgers University
Bernini in Paris - George Bauer, University of California at Irvine
Die Kollegiatskirche S. Maria Assunta in valmontone: Ein Hauptwerk Mattia de Rossis (1637-1695) - Elisabeth Sladek, ?sterreichische Akademie der Wissenschoften, Rome
Orazio Spada e la sua Cappella nella Chiesa Nuova - Antonella Pampalone, Rome, Italy
The Baroque Architect's Tomb - Joseph Connors, Columbia University; The American Academy in Rome
Two Contrasting Concepts of Color in the Architecture of the Roman Baroque - Robert Enggass, Rome, Italy
Architects and Clods: The Emergence of Urban Planning in ôPalace Architecture in 17th Century Rome - Dorothy Metzger Habel, University of Tennessee
The Architectural Legacy of Bernini in Rome - Allan Braham, National Gallery, London
Architecture of Power and Dynastic Edification: Turin's Contrada di Po as Theatre and Stradone - Martha Pollak, University of Illinois at Chicago
Fischer von Etlach, Tiepolo, and the Unity of the Visual Arts - Irving Lavin, Institute for Advanced Study, Princeton
Nicola Michetti and 18th Century Architecture in Saint Pertersburg - John Pinto, Princeton University
Filippo Juvarra: New Drawings - Henry A. Millon, National Gallery of Art, Washington, D.C.
Vedute: Capriccio e Progettazione in Filippo Juvarra - Chiara Passanti, Turin, Italy
Filippo Juvarra and the Baroque Staircase - Windsor F. Cousins, State College, Pennsylvania
Un inedito disegno d'ambito Berniniano rappresentante il Terzo Braccio in Piazza San Pietro - Ro sella Carloni, Rome
Appunti per la stocia dell'Accademia di San Luca: La collezione dei dipinti nei secoli XVII e XVIII - Angela Cipriani and Giulia De Marchi Academia San Luca Rome
The Academy of Arts and Sciences: A Paper Building Type of the 18th Century - Christine Challingsworth, National Gallery of Art, Washington, D.C.
Pompeo Ferrari: A Disciple of Carlo Fontano in Poland - Gil R. Smith, Ball State University
Balthasar Neumann's Italian Liaison: Second Thoughts - Christian Otto, Cornell University
Paolo Posi, Alesandro Dori and the Palace for the Papal Family on the Quintinal Hill - Cathie C. Kelly, University of Nevada at Las Vegas
Der neapolitanische Architekt Mario Gioffredo, 1718-85, zwischen Spätbarock und Frühklassizismus - Jörg Garms Österreichisches Historisches Institut, Rome
Charles Cameron, Catherine II, and the Church of St Sophia.Observations on a Missing Monument - Anthony Cutler, The Pennsylvania State University
'Sempre si fantastica per San Pietra' Ein Projekt des jungen Valadier für die Sakristei von St. Peter - Elisabeth Kieven, Universität Stuttgart