|
Winner 2008 AAUP Book, Jacket and Journal Show: Scholarly Illustrated
Winner of the 2007 PSP Award for Excellence in the category of Art and Art History.
2007 Choice Outstanding Academic Title
Finalist for the 2007 Charles Rufus Morey Book Award for an especially distinguished book in the history of art as sponsored by the College Art Association.
"At a time when many academic publishers speculate about the demise of the art-history monograph, Dynamic Splendor is a welcome retort about what would be lost without the commitment of university presses to rigorous and elegant scholarship." —Eric Banks, BookForum
“Long overshadowed by their more extensive neighbors at Ravenna and Venice, the glittering mosaics of Porec have rarely been subjected to detailed scrutiny. Repeatedly restored in the late nineteenth century, they have been regarded with suspicion by scholars and quickly passed over by tourists. Terry and Maguire compensate for this neglect with meticulous examination from the scaffold and judicious study of the relative merits of prerestoration drawings, photos, and written records . . . with a battery of color photographs unparalleled in any other work on early Byzantine mosaic.” —Anthony Cutler, The Pennsylvania State University
Dynamic Splendor introduces a cycle of sixth-century mosaics little known to scholars, though they are comparable in quality and interest to famed mosaics in Italy and elsewhere. Ann Terry and Henry Maguire provide the first comprehensive account of the history and meaning of the mosaics along with the first high-quality photographic documentation of the ensemble.
It has only recently been possible to study the mosaics at Porec closely, due to favorable conditions in Croatian Istria, where the mosaics reside, and to the discovery of the original restoration documents in Vienna and Trieste. Terry and Maguire have tracked the condition and restoration of these works, distinguishing between the original mosaics and later contributions. Beyond creating an important archival source, the authors consider the making of the mosaics, their thematic structure, their relationship to the cathedral complex, and their connection to the patron, Bishop Eufrasius, while drawing parallels with other renowned works. |