Bernini's Biographies
- Publish Date: 6/13/2007
- Dimensions: 6 x 9
- Page Count: 440 pages Illustrations: 40 illustrations
- Hardcover ISBN: 978-0-271-02901-6
- Paperback ISBN: 978-0-271-02902-3
Hardcover Edition: $70.95Add to Cart
Paperback Edition: $37.95Add to Cart
“Although there is more biographical writing on the incomparable Gian Lorenzo Bernini than on any other early modern artist, including Michelangelo), the investigation of these writings remains surprisingly incomplete. This fascinating and highly original book is therefore a welcome addition to the literature, for it both consolidates our present understanding of these biographies, which can be traced to Bernini himself, and raises important questions about these writings for future consideration. Bernini’s Biographies will therefore be of great interest to scholars of art history, literature, and the social history of art alike.”
“In addition to bringing together various methodologies to bear upon the study of Bernini’s vite, this work also seeks to unravel the Gordian knot of the authorship of the biographies. . . . Taken as a whole, this collection of essays provides a series of departure points for future studies in the history of Bernini’s biographies, the life of Bernini himself, and artistic biography in general. . . . Despite the seeming contradiction between engaging closely with the history and genesis of Bernini’s biographies while simultaneously interrogating them from various literary, historical, and philological viewpoints, these essays are an immensely useful addition to the field.”
Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini’s son, Domenico (1713).
This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography’s author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history, and art and literary theory offer major new insights into the multifarious connections between biography, art history, and aesthetics, inviting readers to rethink Bernini’s life, art, and milieu.
Contributors are Eraldo Bellini, Heiko Damm, John D. Lyons, Sarah McPhee, Tomaso Montanari, Rudolf Preimesberger, Robert Williams, and the editors.
Contents
List of Illustrations
Preface
Prolegomena to the Interdisciplinary Study of Bernini’s Biographies
Maarten Delbeke, Evonne Levy, and Steven F. Ostrow
1 At the Margins of the Historiography of Art: The Vite of Bernini Between Autobiography and Apologia
Tomaso Montanari
2 Bernini’s Voice: From Chantelou’s Journal to the Vite
Steven F. Ostrow
3 Plotting Bernini: A Triumph over Time
John D. Lyons
4 Chapter 2 of Domenico Bernini’s Vita of His Father: Mimeses
Evonne Levy
5 “Always Like Himself”: Character and Genius in Bernini’s Biographies
Robert Williams
6 Bernini Portraits, Stolen and Nonstolen, in Chantelou’s Journal and the Bernini Vite
Rudolf Preimesberger
7 Gianlorenzo on the Grill: The Birth of the Artist in His “Primo Parto di Divozione”
Heiko Damm
8 Gianlorenzo Bernini’s Bel Composto: The Unification of Life and Work in Biography and Historiography
Maarten Delbeke
9 From Mascardi to Pallavicino: The Biographies of Bernini and Seventeenth-Century Roman Culture
Eraldo Bellini
10 Costanza Bonarelli: Biography Versus Archive
Sarah McPhee
Bibliography
List of Contributors
Index
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