Martin Delbeke: Bernini's Biographies


		Bernini's Biographies Critical Essays Edited by Maarten Delbeke, Evonne Levy, and Steven F. Ostrow January \| 2007 \| 6 x 9\| 440 pages \| 40 illustrations Hardback: $65.00 SH \| 978-0-271-02901-6 Paperback: $35.00 SH \| 978-0-271-02902-3 Our shopping cart is temporarily out of service. To order, please call our toll free number. 800-326-9180. Thank you.

"Although there is more biographical writing on the incomparable Gian Lorenzo Bernini than on any other early modern artist, including Michelangelo, the investigation of these writings remains surprisingly incomplete. This fascinating and highly original book is therefore a welcome addition to the literature, for it both consolidates our present understanding of these biographies, which can be traced to Bernini himself, and raises important questions about these writings for future consideration. Bernini's Biographies will therefore be of great interest to scholars of art history, literature, and the social history of art alike." —Paul Barolsky, Commonwealth Professor Art History, University of Virginia Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini’s son, Domenico (1713). This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography’s author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history, and art and literary theory offer major new insights into the multifarious connections between biography, art history, and aesthetics, inviting readers to rethink Bernini’s life, art, and milieu. Contributors are Eraldo Bellini, Heiko Damm, John D. Lyons, Sarah McPhee, Tomaso Montanari, Rudolf Preimesberger, Robert Williams, and the editors.

Maarten Delbeke is Assistant Professor of architectural history and theory at the universities of Ghent and Leiden. Formerly the Scott Opler Fellow in Architectural History at Worcester College (Oxford), he is the author of several articles and a forthcoming book on Seicento art and theory. Evonne Levy is Associate Professor of the History of Art at the University of Toronto. She is also the author of Propaganda and the Jesuit Baroque (2004). Steven F. Ostrow is Professor and Chair of Art History at the University of Minnesota. He is the author of Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore (1996) and served as contributing editor for Dosso’s Fate: Painting and Court Culture in Renaissance Italy (1998).

Contents List of Illustrations Preface Prolegomena to the Interdisciplinary Study of Bernini’s Biographies Maarten Delbeke, Evonne Levy, and Steven F. Ostrow 1 At the Margins of the Historiography of Art: The Vite of Bernini Between Autobiography and Apologia Tomaso Montanari 2 Bernini’s Voice: From Chantelou’s Journal to the Vite Steven F. Ostrow 3 Plotting Bernini: A Triumph over Time John D. Lyons 4 Chapter 2 of Domenico Bernini’s Vita of His Father: Mimeses Evonne Levy 5 “Always Like Himself”: Character and Genius in Bernini’s Biographies Robert Williams 6 Bernini Portraits, Stolen and Nonstolen, in Chantelou’s Journal and the Bernini Vite Rudolf Preimesberger 7 Gianlorenzo on the Grill: The Birth of the Artist in His “Primo Parto di Divozione” Heiko Damm 8 Gianlorenzo Bernini’s Bel Composto: The Unification of Life and Work in Biography and Historiography Maarten Delbeke 9 From Mascardi to Pallavicino: The Biographies of Bernini and Seventeenth-Century Roman Culture Eraldo Bellini 10 Costanza Bonarelli: Biography Versus Archive Sarah McPhee Bibliography List of Contributors Index