Cover image for Once@9:53am: Terror en Buenos Aires By Ilan Stavans, y Marcelo Brodsky, and con un epílogo deIlan Stavans

Once@9:53am

Terror en Buenos Aires

Ilan Stavans, y Marcelo Brodsky, con un epílogo de Ilan Stavans

BUY

$17.95 | Paperback Edition
ISBN: 978-0-271-07754-3

136 pages
6.75" × 10.25"
325 color/7 b&w illustrations
2016

Dimyonot: Jews and the Cultural Imagination

Once@9:53am

Terror en Buenos Aires

Ilan Stavans, y Marcelo Brodsky, con un epílogo de Ilan Stavans

At 9:53 on the morning of July 18, 1994, a suicide bomber drove a Renault Trafic van loaded with explosives into the Asociación Mutual Israelita Argentina, a Jewish community center in the bustling commercial neighborhood of Once, Buenos Aires. The explosion left eighty-five people dead and over three hundred wounded. Originally published amid widespread controversy, Once@9:53am: Terror en Buenos Aires imagines the two hours before the attack through the popular format of the fotonovela.

 

  • Description
  • Subjects
At 9:53 on the morning of July 18, 1994, a suicide bomber drove a Renault Trafic van loaded with explosives into the Asociación Mutual Israelita Argentina, a Jewish community center in the bustling commercial neighborhood of Once, Buenos Aires. The explosion left eighty-five people dead and over three hundred wounded. Originally published amid widespread controversy, Once@9:53am: Terror en Buenos Aires imagines the two hours before the attack through the popular format of the fotonovela.

Part documentary, part fiction, this vivid retelling of Argentina’s deadliest bombing depicts a vibrant, complex urban community in the hours before its identity was forever changed. This expanded English edition includes a new essay by Ilan Stavans detailing the aftermath of the attack and the faulty investigations that have yet to yield any arrests or reach resolution.

A unique and powerful visual experience, Once@9:53am is both a commemoration of an atrocity that shifted Latin American Jewish identity in innumerable ways and an ingenious use of a popular format to explore the dangerous intersection of politics and religion in Latin America.

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