Cover image for Women in Twentieth-Century Literature: A Jungian View By Bettina Knapp

Women in Twentieth-Century Literature

A Jungian View

Bettina Knapp

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$34.95 | Paperback Edition
ISBN: 978-0-271-03431-7

256 pages
6.14" × 9.21"
1987

Women in Twentieth-Century Literature

A Jungian View

Bettina Knapp

An interdisciplinary work, comparative in nature, which offers extensive and extremely significant information about the cultural context of each work studied as well as penetrating analyses of the characters and situations from the unique perspectives of the psychology/philosophy developed by C .G. Jung. Dr. Knapp here concentrates on García Lorca's Yerma, Elizabeth Bowen's The Death of the Heart, Isak Dinesen's "Peter and Rosa," Nathalia Ginzburg's All Our Yesterdays, Flannery O'Connor's Everything that Rises Must Converge, Jean Rhys's Wide Sargasso Sea, Nathalie Sarraute's Between Life and Death, Pa Chin's Family, Fumiko Enchi's Masks, and Anita Desai's Fire on the Mountain.

 

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An interdisciplinary work, comparative in nature, which offers extensive and extremely significant information about the cultural context of each work studied as well as penetrating analyses of the characters and situations from the unique perspectives of the psychology/philosophy developed by C .G. Jung. Dr. Knapp here concentrates on García Lorca's Yerma, Elizabeth Bowen's The Death of the Heart, Isak Dinesen's "Peter and Rosa," Nathalia Ginzburg's All Our Yesterdays, Flannery O'Connor's Everything that Rises Must Converge, Jean Rhys's Wide Sargasso Sea, Nathalie Sarraute's Between Life and Death, Pa Chin's Family, Fumiko Enchi's Masks, and Anita Desai's Fire on the Mountain.

This is an important book to scholars in women's studies, in the relation of psychology and literature, in religious studies and philosophy as the relate to women, and in the contemporary novel and world literature.

Bettina Knapp is a much-admired scholar and prolific author of remarkable range. Her most recent works include A Jungian Approach to Literature; Archetype, Architecture, and the Writer; French Theatre 1918-1939; and Word/Image/Psyche.

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