Performance in the Texts of Mallarmé
The Passage from Art to Ritual
Mary Lewis Shaw
Performance in the Texts of Mallarmé
The Passage from Art to Ritual
Mary Lewis Shaw
“A highly original contribution to Mallarmé studies. With an impressive command of primary and secondary sources, Mary Shaw demonstrates how musical and theatrical aims underpinned Mallarmé’s poetic endeavor throughout his career, and how these aims were central to the conception of his last, unfinished work, Le Livre.”
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Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.
Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.
“A highly original contribution to Mallarmé studies. With an impressive command of primary and secondary sources, Mary Shaw demonstrates how musical and theatrical aims underpinned Mallarmé’s poetic endeavor throughout his career, and how these aims were central to the conception of his last, unfinished work, Le Livre.”
“Shaw’s study goes a long way toward a balanced and reasoned understanding of what this monumental poet was trying to do: namely, redefine literature’s function—a social project whose consequences are still reverberating in the art forms of today.”
Mary Lewis Shaw is Assistant Professor of French at Rutgers University.
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