Engraved Gems of the Carolingian Empire
Genevra Kornbluth
“[Kornbluth’s] meticulously researched and closely argued work makes a welcome addition to the study of medieval gems.”
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These objects have been largely ignored in the scholarship of medieval art, partly because of the difficulty of access. Genevra Kornbluth assembles for the first time all twenty surviving gems, from small seal matrices to the forty-one-figure "Susanna crystal" in London, along with information about lost works. The unique features of each gem are made visible in over 200 detailed black-and-white photographs, often highly magnified and produced using new techniques developed to record transparent engraving.
Kornbluth fully analyzes the techniques of manufacture, style, chronology, iconography, and patronage of each gem and examines their social functions, the organization and status of the artisans who created them, and relations between media. The gems are presented as evidence of the rich diversity of the Carolingian culture, rather than as reflections of an artistic program dictated by the imperial courts; they are also seen to be essentially new creations, drawing on earlier visual traditions but adapting their sources to address contemporary concerns.
“[Kornbluth’s] meticulously researched and closely argued work makes a welcome addition to the study of medieval gems.”
Genevra Kornbluth is Associate Professor of Art at Youngstown State University.
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