Continuity, Innovation, and Connoisseurship
Old Master Paintings at the Palmer Museum of Art
Edited by Mary Jane Harris
Continuity, Innovation, and Connoisseurship
Old Master Paintings at the Palmer Museum of Art
Edited by Mary Jane Harris
Continuity, Innovation, and Connoisseurship brings together revised versions of papers first presented at an international symposium of the same name held at The Pennsylvania State University in 1995. Noted Old Master experts were invited to discuss and contextualize key sixteenth- and seventeenth-century paintings in the collection of the Palmer Museum of Art. The papers shed new light on these works, connecting them to important issues in the thematic and stylistic development of Old Master paintings.
- Description
- Table of Contents
- Subjects
This richly illustrated volume also provides an informative introduction to the Palmer Museum's Renaissance and Baroque collections.
Contents
Foreword
Jan Keene Muhlert
Introduction and Acknowledgements
Mary Jane Harris
e Address
Mina Gregori, Director, Roberto Longhi Foundation
1. Michele Tosini: The Artist, the Oeuvre, and the Testament
Heidi Hornik, Baylor University
2. Continuity and Innovation: The Art of Maso da San Friano
Philippe Costamagna, Independent Scholar
3. Master Jacomo, Trophime Bigot, and the Candlelight Master
Leonard J. Slatkes, Queens College, CUNY
4. The Florentine Baroque: Giovan Battista Vanni
Francesca Baldassari, Independent Scholar
5. Marvellous Imitations and Outrageous Parodies: Pietro della Vecchia Revisted
Bernard Aikema, Katholieke Universiteit Nijmegen
6. The Mystic Marriage of St. Catherine of Alexandria: An Unknown Work of Giovanni Battista Boncori, c. 1673-1675, in the Palmer Museum of Art
Erich Schleier, Curator Emeritus, Gemäldegalerie, Berlin
Closing Remarks, Kahren J. Arbitman
Biographical Notes on the Symposium Speakers
Exhibition Checklist
Extended Loans
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