Storied Strings
The Guitar in American Art
Leo G. Mazow
Storied Strings
The Guitar in American Art
Leo G. Mazow
Shortlisted for the 2024 Alfred H. Barr Jr. Award
“Beautifully produced, accurately written, richly illustrated, and properly footnoted and referenced, Mazow’s book is an important and extremely welcome addition to the music and art historian/critic’s library.”
- Description
- Reviews
- Bio
- Table of Contents
- Subjects
Strummed everywhere from parlors and front porches to protest rallies and rock arenas, the guitar also appears far and wide in American art. Its depictions enable artists and their human subjects to address topics that otherwise go untold.
Storied Strings: The Guitar in American Art is the catalogue of its namesake exhibition, which launched at the Virginia Museum of Fine Arts in October 2022. The book explores the instrument’s symbolism in American art from the early nineteenth century to the present day. Chapters address how the guitar has been depicted in American art through the lenses of race, gender, cultural storytelling, aesthetics, politics, and cold, hard cash.
Featuring 273 full-color illustrations selected from the exhibition, Storied Strings is an absorbing history of how guitars figure prominently into the visual stories Americans tell about themselves, their identities, and their aspirations.
“Beautifully produced, accurately written, richly illustrated, and properly footnoted and referenced, Mazow’s book is an important and extremely welcome addition to the music and art historian/critic’s library.”
Dr. Leo G. Mazow is the Louise B. and J. Harwood Cochrane Curator of American Art at the Virginia Museum of Fine Arts. He has authored and coauthored a number of books, including Edward Hopper and the American Hotel, Thomas Hart Benton and the American Sound, and Picturing the Banjo, the last two of which are available from PSU Press.
Alex Nyerges, Director’s Foreword
Acknowledgments
Lenders to the Exhibition
Guitar parts diagram
Chapter 1: Introducing the Guitar in American Art
Chapter 2: An American Guitar Primer (Dobney)
Chapter 3: Hispanicization
Chapter 4: The Guitar in Black Art and Culture
Chapter 5: Personification
Chapter 6: Guitar-Wielding Women
Chapter 7: Aestheticizing the Motif
Chapter 8: Cold Hard Cash
Chapter 9: Political Guitars (Nichols)
Chapter 10: Wood, Strings, and Stories (Deloria)
Endnotes
Checklist of Works in the Exhibition
Selected Bibliography
Index
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