That large financial contributions distort American
politics and American democracy is an idea that stands as a truism
in political debate. It has fired reform movements; it has inspired
round after round of efforts to limit who can give to candidates
and parties, how much they can give, and how much campaigns can
spend. The laws have generated constitutional arguments about free
speech, a still inconclusive literature on whether contributions
actually shape policy, and a great deal of work for lawyers and
financial analysts who monitor compliance. In the wake of Enron's
collapse and subsequent revelations about that corporation's involvement
with policymakers, the public's attention has once again focused
on the role that money plays in politics.
Little of the scholarly work (and none of the legal
work) is historical. Yet history can shed light on the long-running
debate about the impact of money on politics and what, if anything,
are plausible policy options. This collection of original essays
is a step in that direction. The chapters cover episodes from the
early nineteenth century through the 1970s. They illustrate how
deep concern about money in politics runs—and how the definition
of the problem has changed over time.
Through the nineteenth century, the "spoils system"
in which party loyalists gained reward for their efforts appeared
to be the evil that blocked responsive parties and honest public
administration. Party war chests that brought howls of complaint
(and great exaggeration) seemed quaint by the middle of the twentieth
century. In part because reform had weakened the parties and campaigns
required consultants' skills in coordination and in part because
television advertising was so expensive, the cost of campaigns rose.
Candidates griped and policy entrepreneurs worked out possible solutions,
which were in place before the Watergate scandal focused public
attention on campaign finance. In the history of campaign-finance
reform, one generation's solutions have tended to become another's
problem.
Contributors to the volume are Paula Baker, Robert
Mutch, Mark Wahlgren Summers, and Julian E. Zelizer.