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Cover for the book Thomas Hart Benton and the American Sound

Thomas Hart Benton and the American Sound

Leo G. Mazow
  • Publish Date: 3/13/2012
  • Dimensions: 9 x 10
  • Page Count: 216 pages
  • Illustrations: 44 color/33 b&w illustrations
  • Hardcover ISBN: 978-0-271-05083-6

Hardcover Edition: $79.95Add to Cart

“Leo Mazow’s much-anticipated Thomas Hart Benton and the American Sound contains many delightful surprises. For one, it opens up Benton to new lines of inquiry: much has been written about this modern American painter, and authors have long noted his interest in music—especially American folk songs—but now, at last, we have a book that considers Benton’s trenchant absorption in American sound in the context of diverse theories and the rich pageantry of his era. Moreover, the book is superbly researched and well written. And in rendering Benton and his interests as fresh and novel, Mazow performs an enormous favor for anyone interested in modern American culture. Here’s yet another guise for a controversial and outspoken artist. A superb book that’s sure to leave a lasting mark.”
“An interesting and compelling project exploring the centrality of ‘sound’ in the work and career of American artist Thomas Hart Benton.”
“While the main focus of Thomas Hart Benton and the American Sound is to show the many levels of influence that the idea of not just music, but also sound, had on his visual work, what really is at the heart of Mazow's book is the notion that as an American artist working in the twentieth century what drove Benton's works more than anything else was the trials, tribulations, lives, passions, movements and dramas of real American people.”

Alternately praised as “an American original” and lampooned as an arbiter of kitsch, the regionalist painter Thomas Hart Benton has been the subject of myriad monographs and journal articles, remaining almost as controversial today as he was in his own time. Missing from this literature, however, is an understanding of the profound ways in which sound figures in the artist’s enterprises. Prolonged attention to the sonic realm yields rich insights into long-established narratives, corroborating some but challenging and complicating at least as many. A self-taught and frequently performing musician who invented a harmonica tablature notation system, Benton was also a collector, cataloguer, transcriber, and distributor of popular music. In Thomas Hart Benton and the American Sound, Leo Mazow shows that the artist’s musical imagery was part of a larger belief in the capacity of sound to register and convey meaning. In Benton’s pictorial universe, it is through sound that stories are told, opinions are voiced, experiences are preserved, and history is recorded.

Leo G. Mazow is Associate Professor of American Art History at the University of Arkansas, Fayetteville.

Contents

List of Illustrations

Acknowledgments

Introduction

1 Painting the Song

2 Painting the Sound

3 Anthology

4 Regionalist Radio: Benton on Art for Your Sake

Epilogue: Sound, Touch, and Beyond

Appendixes

Notes

Bibliography

Index

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