An Artful Relic

In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects.

Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice.

This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.

“This excellent book reveals the distance between baroque and present day aesthetic theorizing.”—David Carrier, Athenaeum Review

“Casper has expanded art history by his detailed analysis of the multi-leveled milieu that produced and promoted the devotional cult of the Shroud of Turin, thereby integrating visual culture with material culture, popular culture, and theology.”—Diane Apostolos-Cappadona, Reading Religion

“Given the historiographical delay in this subject, we can only rejoice to see new avenues opened up by the work of Andrew R. Casper.”—Nicolas Sarzeaud, Sehepunkte

“An Artful Relic manages to surpass the boundaries of the immediate subject matter: it is as much a reading of the Holy Shroud as it is about seventeenth-century semiotics. Rather than allowing the Holy Shroud to become an entirely self-contained entity, Casper interprets the Holy Shroud as a crux of broader interpretive and artistic practices in the early modern era.”—Angelica Modabber, Religion and the Arts

“After reading this book one can only be grateful to Casper for having examined the relationship between the Shroud, art, and theology so well from a perspective that is unique, rarely encountered, truly innovative, and fully grounded in the sources. Particularly praiseworthy is the richness of its bibliography and the unpublished material consulted, especially that in Italian, the author's knowledge of which is absolutely impressive and is always treated with precision and expertise.”—Andrea Nicolotti, Church History

“This award-winning book is an original and multifaceted approach to a well-known relic. [Casper’s] inquisitiveness about the juncture of artifice and authenticity, relics, and icons stimulates questions about art theory, then and now, as well as what scholars and the public consider art.”—Gerriann Brower, Renaissance Quarterly

“An Artful Relic is engaging and original. Casper’s careful reading of visual and textual sources, as well as his integration of secondary sources on related topics, develops an important new way of considering the Shroud of Turin and its interpretation and devotional context in the sixteenth and seventeenth centuries.”—Kirstin Noreen, Loyola Marymount University

“The work of Andrew Casper is a surprising and felicitous exception amidst the rather monotonous landscape of ‘sindonic’ literature. Indeed, the first reflection that emerges from reading the book’s exquisite pages is the relief that finally some aspects of the sindon, submerged by the ‘authenticationist propaganda,’ shed new light on the subject.”—Paolo Antinucci, Catholic Historical Review

Andrew R. Casper is Associate Professor of Art History at Miami University. He is the author of Art and the Religious Image in El Greco’s Italy, also published by Penn State University Press.

List of Illustrations

Acknowledgements

List of Abbreviations

Introduction

1. Relic, Image, and Devotion

2. Made Not Begotten: The Shroud as Divine Artifice

3. The Art of Resurrection

4. Reproducing the Shroud

5. The Roman Shroud of Turin: Relic, Icon, Copy

Epilogue

Notes

Bibliography

Index

Download a PDF sample chapter here: Introduction

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