Show Me Where It Hurts

Employing affect theory, spatial theory, vital materialism, and approaches from race and ethnic studies, women and gender studies, disability studies, and comics studies, Chiu provides readings of recently published graphic pathography. Chiu argues that these kinds of subjective graphic stories, by virtue of their narrative and descriptive strengths, provide a form of resistance to the authoritative voice of biomedicine and serve as a tool to foster important change in the face of social and economic inequities when it comes to questions of health and healthcare. Show Me Where It Hurts reads what already has been manifested on the comics page and invites more of what demands expression.

Pathbreaking and provocative, this book will appeal to scholars and students of the medical humanities, comics studies, race and ethnic studies, disability studies, and women and gender studies.

“Monica Chiu demonstrates that the highly personalized rendering of illness experience in graphic pathographies provides readers with an embodied illness perspective that significantly differs from biomedical and clinical accounts, diagnoses, and understandings of illness. Her study on how drawing in graphic pathographies functions to retell and reimagine illness from an ill individual’s perspective is poised to make a foundational contribution to a field of study that is just now reaching maturation.”—Nancy Pedri, Memorial University of Newfoundland

Monica Chiu is Professor of English and American Studies at the University of New Hampshire. She is the editor of Drawing New Color Lines: Transnational Asian American Graphic Narratives.

List of Illustrations

Acknowledgments

Introduction: Making Illness and Impairment Manifest

1. Graphic Genesis and the Somatic Text: Davison’s The Spiral Cage

2. Facing Cancer, the Face of Cancer: Beauty, Health, and Affect in Marchetto’s Cancer Vixen and Ann Tenna

3. Aging by Frames: Thready Lines, Haptic Images, and Institutions of Care in Chast’s Can’t We Talk About Something More Pleasant? and Farmer’s Special Exits

4. Hospital Waiting Rooms as Medicine’s Sedimented Spaces: Ware’s Jimmy Corrigan and Potts’s Good Eggs

5. Graphting and the Model Minority in Chong and Webber’s Dancing After TEN

6. Vital Viruses: Animating Herpes, Pathologizing Whiteness in Dahl’s Monsters and Schulz’s Sick

Conclusion: Uncharted; Graphic Medicine by Medical Interns

Coda: The Absent Presence of Race; Racial Essentialism and Graphic Pathography

Notes

Bibliography

Index

Download a PDF sample chapter here: http://www.psupress.org/sample_chapter/Chiu_Introduction.pdf target= blank>Introduction

Graphic Studies