Refiguring Modernism
New and Bestselling Books
- Art and Form
Sam Rose - Bells for America
Diederik Oostdijk - Beyond National Identity
Michele Greet - Beyond Pleasure
Margaret Iversen - Cézanne's Bathers
Aruna D’Souza - Cold Modernism
Jessica Burstein - Cold War in the White Cube
Delia Solomons - Color in the Age of Impressionism
Laura Anne Kalba - The Coral Mind
Edited by Stephen Bann - The Curatorial Avant-Garde
Adam Jolles - Decorative Arts of the Tunisian École
Jessica Gerschultz - Documenting Spain
Jordana Mendelson - Drawing Degree Zero
Anna Lovatt - Facing Images
Kristopher W. Kersey - Fixed Ecstasy
Charles Palermo - Fragment, Image, and Absence in 1960s Japan
Ignacio A. Adriasola Muñoz - From Diversion to Subversion
Edited by David J. Getsy - Ireland and the Problem of Information
Damien Keane - Léonce Rosenberg’s Cubism
Giovanni Casini - Literary Obscenities
Erik M. Bachman - London Art Worlds
Edited by Jo Applin, Catherine Spencer, and Amy Tobin
- Machine Modernism, Masculinity, and the Trauma of War
Maureen G. Shanahan - Mediating Modernity
Stefanie Harris - Misfit Modernism
Octavio R. González - Modernism and Its Merchandise
Juli Highfill - Nature’s Experiments and the Search for Symbolist Form
Allison Morehead - ’Pataphysics Unrolled
Edited by Katie L. Price and Michael R. Taylor - Postcards
Edited by David Prochaska and Jordana Mendelson - Qayrawān
William Gallois - Radical Dreams
Edited by Elliott H. King and Abigail Susik - Sculptors Against the State
Mark Antliff - Seurat Re-viewed
Edited by Paul Smith - Shattered Objects
Edited by Elizabeth Pender and Cathryn Setz - Simon Hantaï and the Reserves of Painting
Molly Warnock - The Social and the Real
Edited by Alejandro Anreus, Diana L. Linden, and Jonathan Weinberg - Soviet Salvage
Catherine Walworth - Space-Age Aesthetics
Stephen Petersen - The Substance and the Shadow
Paul Smith - Surveying the Avant-Garde
Lori Cole - Viennese Jewish Modernism
Abigail Gillman - The World in Paint
David Peters Corbett
About this Series
Refiguring Modernism features cutting edge interdisciplinary approaches to the study of art, literature, science, and cultural history. With an eye to the different modernisms emerging throughout the world during the twentieth century and beyond, we seek to publish scholarship that engages creatively with canonical and eccentric works alike, bringing fresh concepts and original research to bear on modernist cultural production, whether aesthetic, social, or epistemological. What does it mean to study modernism in a global context characterized at once by decolonization and nation-building; international cooperation and conflict; changing ideas about subjectivity and identity; new understandings of language, religion, poetics, and myth; and new paradigms for science, politics, and religion? What did modernism offer artists, writers, and intellectuals? How do we theorize and historicize modernism? How do we rethink its forms, its past, and its futures?
Editor:
Jonathan P. Eburne
Advisory Board:
Tatiana Flores
Devin Fore
Talinn Grigor
Steven Nelson
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