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Time period
- Medieval and Early Modern
- Eighteenth Century
- Nineteenth Century & Modernism
- Contemporary
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Geography
- Africa
- The Americas
- Asia
- Europe
- Middle East
Medieval and Early Modern
The Kabbalistic Tree / האילן הקבלי
J. H. Chajes
Marrakesh and the Mountains
Landscape, Urban Planning, and Identity in the Medieval Maghrib
Abbey Stockstill
Illuminating the Vitae patrum
The Lives of Desert Saints in Fourteenth-Century Italy
Denva Gallant
A New Antiquity
Art and Humanity as Universal, 1400–1600
Alessandra Russo
Living with Sculpture
Presence and Power in Europe, 1400-1750
Elizabeth Rice Mattison and Ashley B. Offill
Isfahan
Architecture and Urban Experience in Early Modern Iran
Farshid Emami
Out of Bounds
Exploring the Limits of Medieval Art
Edited by Pamela A. Patton, and Maria Alessia Rossi
Destroyed—Disappeared—Lost—Never Were
Edited by Beate Fricke and Aden Kumler
The First Viral Images
Maerten de Vos, Antwerp Print, and the Early Modern Globe
Stephanie Porras
Saint George Between Empires
Image and Encounter in the Medieval East
Heather A. Badamo
Skepticism’s Pictures
Figuring Descartes’s Natural Philosophy
Melissa Lo
Violence and the Genesis of the Anatomical Image
Rose Marie San Juan
Iconography Beyond the Crossroads
Image, Meaning, and Method in Medieval Art
Edited by Pamela A. Patton and Catherine A. Fernandez
Visualizing Household Health
Medieval Women, Art, and Knowledge in the Régime du corps
Jennifer Borland
Praying to Portraits
Audience, Identity, and the Inquisition in the Early Modern Hispanic World
Adam Jasienski
Habsburg Madrid
Architecture and the Spanish Monarchy
Jesús Escobar
Is Byzantine Studies a Colonialist Discipline?
Toward a Critical Historiography
Edited by Benjamin Anderson and Mirela Ivanova
Speculum Lapidum
A Renaissance Treatise on the Healing Properties of Gemstones
Camillo Leonardi, and Translated with an introduction by Liliana Leopardi
The Mineral and the Visual
Precious Stones in Medieval Secular Culture
Brigitte Buettner
Brilliant Bodies
Fashioning Courtly Men in Early Renaissance Italy
Timothy McCall
Images on a Mission in Early Modern Kongo and Angola
Cécile Fromont
The Absent Image
Lacunae in Medieval Books
Elina Gertsman
The Moving Statues of Seventeenth-Century Amsterdam
Automata, Waxworks, Fountains, Labyrinths
Angela Vanhaelen
Palaces of Reason
The Royal Residences of Bourbon Naples
Robin L. Thomas
Eighteenth Century
Networks of Touch
A Tactile History of Chinese Art, 1790–1840
Michael J. Hatch
Palaces of Reason
The Royal Residences of Bourbon Naples
Robin L. Thomas
A Delicate Matter
Art, Fragility, and Consumption in Eighteenth-Century France
Oliver Wunsch
Luxury After the Terror
Iris Moon
Palaces of Reason
The Royal Residences of Bourbon Naples
Robin L. Thomas
Prints of a New Kind
Political Caricature in the United States, 1789–1828
Allison M. Stagg
Images on a Mission in Early Modern Kongo and Angola
Cécile Fromont
Nineteenth Century & Modernism
The Revolution Takes Form
Art and the Barricade in Nineteenth-Century France
Jordan Marc Rose
Tastemakers, Collectors, and Patrons
Collecting American Art in the Long Nineteenth Century
Edited by Linda S. Ferber and Margaret R. Laster
Prints of a New Kind
Political Caricature in the United States, 1789–1828
Allison M. Stagg
The Museum Age in Austria-Hungary
Art and Empire in the Long Nineteenth Century
Matthew Rampley, Markian Prokopovych, and Nóra Veszprémi
Napoleon Sarony’s Living Pictures
The Celebrity Photograph in Gilded Age New York
Erin Pauwels
African American Artists and the New Deal Art Programs
Opportunity, Access, and Community
Mary Ann Calo, and Epilogue by Jacqueline Francis
Painting the Inhabited Landscape
Fitz H. Lane and the Global Reach of Antebellum America
Margaretta M. Lovell
In Light of Rome
Early Photography in the Capital of the Art World, 1842–1871
John F. McGuigan, Jr., Frank H. Goodyear III, and Foreword by Maria Francesca Bonetti
Scented Visions
Smell in Art, 1850-1914
Christina Bradstreet
Creole
Portraits of France’s Foreign Relations During the Long Nineteenth Century
Darcy Grimaldo Grigsby
Luxury After the Terror
Iris Moon
Why Monet Matters
Meanings Among the Lily Pads
James H. Rubin
Sculptors Against the State
Anarchism and the Anglo-European Avant-Garde
Mark Antliff
Contemporary
With Darkness Came Stars
A Memoir
Audrey Flack
Traces of a Jewish Artist
The Lost Life and Work of Rahel Szalit
Kerry Wallach
Léonce Rosenberg’s Cubism
The Galerie L’Effort Moderne in Interwar Paris
Giovanni Casini
Cold War in the White Cube
U.S. Exhibitions of Latin American Art, 1959–1968
Delia Solomons
Radical Dreams
Surrealism, Counterculture, Resistance
Edited by Elliott H. King and Abigail Susik
’Pataphysics Unrolled
Edited by Katie L. Price and Michael R. Taylor
Fragment, Image, and Absence in 1960s Japan
Ignacio A. Adriasola Muñoz
Precious Metal
German Steel, Modernity, and Ecology
Peter H. Christensen
Why Monet Matters
Meanings Among the Lily Pads
James H. Rubin
Sculptors Against the State
Anarchism and the Anglo-European Avant-Garde
Mark Antliff
Re-envisioning the Everyday
American Genre Scenes, 1905-1945
John Fagg
Photography
Cold War Photographic Diplomacy
The US Information Agency and Africa
Darren Newbury
Napoleon Sarony’s Living Pictures
The Celebrity Photograph in Gilded Age New York
Erin Pauwels
In Light of Rome
Early Photography in the Capital of the Art World, 1842–1871
John F. McGuigan, Jr., Frank H. Goodyear III, and Foreword by Maria Francesca Bonetti
Architecture & Urbanism
Precious Metal
German Steel, Modernity, and Ecology
Peter H. Christensen
Marrakesh and the Mountains
Landscape, Urban Planning, and Identity in the Medieval Maghrib
Abbey Stockstill
Isfahan
Architecture and Urban Experience in Early Modern Iran
Farshid Emami
Qayrawān
The Amuletic City
William Gallois
Palaces of Reason
The Royal Residences of Bourbon Naples
Robin L. Thomas
The Accidental Palace
The Making of Yıldız in Nineteenth-Century Istanbul
Deniz Türker
Precious Metal
German Steel, Modernity, and Ecology
Peter H. Christensen
Habsburg Madrid
Architecture and the Spanish Monarchy
Jesús Escobar
Asia
Networks of Touch
A Tactile History of Chinese Art, 1790–1840
Michael J. Hatch
The First Viral Images
Maerten de Vos, Antwerp Print, and the Early Modern Globe
Stephanie Porras
Fragment, Image, and Absence in 1960s Japan
Ignacio A. Adriasola Muñoz
Europe
Traces of a Jewish Artist
The Lost Life and Work of Rahel Szalit
Kerry Wallach
A New Antiquity
Art and Humanity as Universal, 1400–1600
Alessandra Russo
The Accidental Palace
The Making of Yıldız in Nineteenth-Century Istanbul
Deniz Türker
The Absent Image
Lacunae in Medieval Books
Elina Gertsman
Illuminating the Vitae patrum
The Lives of Desert Saints in Fourteenth-Century Italy
Denva Gallant
Praying to Portraits
Audience, Identity, and the Inquisition in the Early Modern Hispanic World
Adam Jasienski
Living with Sculpture
Presence and Power in Europe, 1400-1750
Elizabeth Rice Mattison and Ashley B. Offill
The Revolution Takes Form
Art and the Barricade in Nineteenth-Century France
Jordan Marc Rose
A Delicate Matter
Art, Fragility, and Consumption in Eighteenth-Century France
Oliver Wunsch
Léonce Rosenberg’s Cubism
The Galerie L’Effort Moderne in Interwar Paris
Giovanni Casini
Skepticism’s Pictures
Figuring Descartes’s Natural Philosophy
Melissa Lo
Violence and the Genesis of the Anatomical Image
Rose Marie San Juan
Precious Metal
German Steel, Modernity, and Ecology
Peter H. Christensen
The Museum Age in Austria-Hungary
Art and Empire in the Long Nineteenth Century
Matthew Rampley, Markian Prokopovych, and Nóra Veszprémi
The First Viral Images
Maerten de Vos, Antwerp Print, and the Early Modern Globe
Stephanie Porras
Habsburg Madrid
Architecture and the Spanish Monarchy
Jesús Escobar
Luxury After the Terror
Iris Moon
Brilliant Bodies
Fashioning Courtly Men in Early Renaissance Italy
Timothy McCall
Why Monet Matters
Meanings Among the Lily Pads
James H. Rubin
Sculptors Against the State
Anarchism and the Anglo-European Avant-Garde
Mark Antliff
The Americas
With Darkness Came Stars
A Memoir
Audrey Flack
A New Antiquity
Art and Humanity as Universal, 1400–1600
Alessandra Russo
Tastemakers, Collectors, and Patrons
Collecting American Art in the Long Nineteenth Century
Edited by Linda S. Ferber and Margaret R. Laster
Napoleon Sarony’s Living Pictures
The Celebrity Photograph in Gilded Age New York
Erin Pauwels
African American Artists and the New Deal Art Programs
Opportunity, Access, and Community
Mary Ann Calo, and Epilogue by Jacqueline Francis
Prints of a New Kind
Political Caricature in the United States, 1789–1828
Allison M. Stagg
Painting the Inhabited Landscape
Fitz H. Lane and the Global Reach of Antebellum America
Margaretta M. Lovell
Re-envisioning the Everyday
American Genre Scenes, 1905-1945
John Fagg
Cold War in the White Cube
U.S. Exhibitions of Latin American Art, 1959–1968
Delia Solomons
Praying to Portraits
Audience, Identity, and the Inquisition in the Early Modern Hispanic World
Adam Jasienski
The First Viral Images
Maerten de Vos, Antwerp Print, and the Early Modern Globe
Stephanie Porras
Creole
Portraits of France’s Foreign Relations During the Long Nineteenth Century
Darcy Grimaldo Grigsby
Africa
Marrakesh and the Mountains
Landscape, Urban Planning, and Identity in the Medieval Maghrib
Abbey Stockstill
Cold War Photographic Diplomacy
The US Information Agency and Africa
Darren Newbury
Qayrawān
The Amuletic City
William Gallois
Images on a Mission in Early Modern Kongo and Angola
Cécile Fromont
Middle East
Saint George Between Empires
Image and Encounter in the Medieval East
Heather A. Badamo
Isfahan
Architecture and Urban Experience in Early Modern Iran
Farshid Emami
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